Too much of the rest of the album is musically undistinguished, though you sense Webbie isn’t paying it much mind. Listen to some of the best new recordings here.

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“I’m from Baton Rouge where ain’t no such thing as handouts/If you don’t hustle you don’t stand out, hands down,” he raps on “Right Now.” And the album’s final two tracks show a degree of reflection that the rest of the album eschews.įrom Lil Nas X to Mozart to Esperanza Spalding here is what we loved listening to this year. There are a couple of moments of sharpness here when he doesn’t lean on his slurry style.

Still, Webbie perseveres, keeping his sound intact, or at least not working hard at changing it. What’s more, a reckless appearance on BET seems to have had him barred from the network (one of many topics he discusses in a rambling, hilarious and lengthy two-part interview conducted at Walmart that recently entranced the rap blogosphere). 17 on the Billboard album chart, despite the fact that Webbie gets little attention outside the South. In 2011 Webbie is the definition of a regional rap star: “Savage Life 3” made its debut at No. Accordingly, Webbie’s biggest hits - “Give Me That,” from 2005 “Independent,” from 2007 - have felt like almost accidental, half-hearted ideas stretched to song length, and delivered with glee. He didn’t even take time to come up with a newish title for this, his third solo album, and he certainly doesn’t agonize over his lyrics, which have a haphazard quality cohered mostly by his heavy local drawl, in which he never quite closes a syllable.Īlmost a decade ago he emerged in tandem with the far more fiery and intricate Lil Boosie (who is serving an eight-year sentence for conspiring to smuggle drugs into two prisons and is awaiting trial on a murder charge), and he appeared happy to play second fiddle. The Baton Rouge, La., rapper Webbie has the laziest sort of charm.

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